10:27 (3,473 notes)
a place through which the world passes,
for the sustenance of that place and our situated selves,
and for our very sense of being in-place.
a place from which we go to a world which is immediate and present and to hand.archive | random contact | follow
10:27 (3,473 notes)
0:08 (5 notes)greenscaping, roof geometry, greenery, france, rillieux la pape, tectonique architects, la tectonique des plaques, klh, planted roof, good grasses,
Paul Chevallier school complex, Rillieux-la-Pape, France.
Tectonique Architects, 2013.
13:56 (6,207 notes)concrete, são paulo, decio tozzi, architecture, brazil, 1970s, antonio teofilo de andrade orth residence, brutalist houses,
When Attitudes Become Form* [Bern 1969/Venice 2013](Post 3)
Another highlight of the show was this recreation of Walter De Maria’s “Art by Telephone.” There was a great selection of ephemera and archival materials from Getty Foundation at the Fondazione Prada. In that section, I found a letter to original curator Harald Szeeman from De Maria after the 1969 show said that De Maria had called seven times and no one picked up so there was no phone bill to be paid!
23:33 (2,427 notes)daniel bejar, the visual topography of a generation gap, art, serial section, Sections, keys, brass, 2011,
15:27 (504 notes)black and white photography, haus truog, Zumthor, Architecture, switzerland, gugalun,
9:00 (4 notes)laura allen, smout allen, lanzarote landscape, bartlett school of architecture, drawing, architectural drawings,
Laura Allen and Mark Smout. Sketches for the Lanzarote Landscape.
Hiroshi Sugimoto - Seascapes (1980-93)
“Mystery of mysteries, water and air are right there before us in the sea. Every time I view the sea, I feel a calming sense of security, as if visiting my ancestral home; I embark on a voyage of seeing.”
1. Caribbean Sea, Jamaica
2. Sea of Japan, Hokkaido
3. Tasman Sea, Ngarupupu
4. Black Sea, Ozuluce
5. Red Sea, Safaga
6. Tyrrhenain Sea, Scilla
11:20 (46 notes)landscape, landfill, conversion, Batlle i Roig Arquitectes, barcelona, spain, Vall d’en Joan,
“This conversion of a landfill into a farming landscape was based on three key factors: topography, hydraulics and vegetation. The topographic system was addressed by the capping project. Whereas the project for closure of the landfill involved channels and embankments, the landscape restoration project had recourse to farmed terraces, tree-planted plots and fields of crops.”